I tried to do both exams in 2hours … here are my answers but there might be some mistakes…
Not too bad after all!
RECAP’ LELE // Click on images to see full files…
How do writers document street life?
G.Orwell, Extract from Down and Out of Paris and London, 1933
John Steinbeck, Extract from Cannery Row, 1945.
How do writers document street life?
Read the full extract from the opening of Cannery Row by John Steinbeck, 1945.
Cannery Row is describeD / compared to a poem.
It sounds like a noisy machine. It stinks.
What is the writer wondering about in the end? What is his dilemma?
He wonders how he can write his book without killing the people in it.
Bonnie & Clyde were real but their story was transformed by Hollywood for the famous movie featuring Warren Beatty and Faye Dunaway in 1967.
Gangster movies are based on real facts but they glamorize them.
Bonnie & Clyde are perfect to create a film: they embody BOTH love and violence. The individualistic values they stand for can relate to the self-made men or rags-to-riches stories but they get rich and famous breaking the law.
a slum: bidonville / quartier déshérité
to raise an issue: poser problème / soulever une controverse
law-abiding: respectables / honorables
Choose and watch one of the following films!
Complete your worksheet and be ready for class teamwork & radio show recording!
“Why can’t we pick our own colors?”
Quentin Tarantino set the film scene on fire with this sparkling story of five criminals put together for a heist that goes wrong—each anonymously named after a color and each played by an actor as good as the next. Tarantino charts the bloody fallout with a savage wit, a masterly grip on storytelling and dialogue that’s still to die for, two decades later.
“Listen, Little Boy, in this business there’s only one law you gotta follow to keep out of trouble: Do
it first, do it yourself, and keep on doing it.”
He may not have snorted quite as much cocaine as Tony Montana (who has?), but Antonio “Tony” Camonte (Paul Muni) will always be the original Scarface. Howard Hawks and Richard Rosson’s formative gangster classic shocked the world with its lightly fictionalized take on how Al Capone Tommy-gunned his way to being king of Chicago.
“You wanna play rough? Okay. Say hello to my little friend!”
The world is yours, Tony Montana, or at least our No. 29 slot is. Don’t even begin to complain that Brian De Palma’s dizzyingly lurid coke meltdown ranks higher than the 1932 original—it’s proven to be vastly more influential, the throbbing id of many criminal fantasies since.
“How do you shoot the devil in the back–what if you miss?”
A sole survivor tells of the twisty events leading up to a horrific gun battle on a boat, which began when five criminals met at a seemingly random police lineup. Boasting petty criminal characters conceived so brilliantly they achieve near-mythological status, The Usual Suspects is known for riveting suspense and action, an intriguing plot line and a jaw- dropping twist at the end.
“The bigger they come, the harder the fall,” Rico boasts. “I ain’t doin’ bad in this business so far.”
Rico is a small-time hood who knocks off gas stations for whatever he can take. He heads east and signs up with Sam Vettori’s mob. A New Year’s Eve robbery at Little Arnie Lorch’s casino results in the death of the new crime commissioner Alvin McClure. Rico’s good friend Joe Massara, who works at the club as a professional dancer, works as the gang’s lookout man and wants out of the gang. Rico is ambitious and eventually takes over Vettori’s gang; he then moves up to the next echelon pushing out Diamond Pete Montana. When he orders Joe to dump his girlfriend Olga and re-join the gang, Olga decides there’s only one way out for them.
“Sentimental value? Ah. I heard of that.”
There’s more to David Cronenberg’s full-throated gangster nightmare than just a bunch of naked dudes smacking each other in a sauna. This is a prescient examination of the Russian takeover of London, featuring a career-best turn from Viggo Mortensen as the taciturn, grimacing antihero.
“The truth is you’re the weak. And I’m the tyranny of evil men. But I’m trying, Ringo. I’m trying real hard to be the shepherd.”
More than 20 years later, Quentin Tarantino’s second feature is as exhilarating as ever, with John Travolta and Samuel L. Jackson’s wisecracking hitmen now fully a part of the cultural lexicon.
When you describe a place with adjectives corresponding to human beings you create a personification. In Orwell’s eyes poor Parisian people look like the street they live in, they give their identity to the streets and buildings > people OWN the street / the street belongs to the people. “I sketch this scene’ > to sketch = to draw : faire un croquis
Khalid Masood profile: from popular teenager to Isis-inspired terrorist
acta est fabula
Cartoons by John Atkinson. ©John Atkinson, Wrong Hands
illustrator Russell Jackson
things and not things.
Inspirational & creative ramblings of a self-confessed geek - Things I like, things I find and things I’m doing.
I create images that get brand content seen and shared.
where Emily and books collide
by Mike Dash
For the Relentless Criticism of All Existing Conditions Since 2010
Just a redheaded woman who is obsessed with books